15th New York Asian Film Festival

Jun 22 - Jul 9, 2016

Photo: Courtesy of Showbox, Dreamwest Pictures

North American Premiere

The Throne

사도

Two of Korea's most esteemed actors—Yoo Ah-in and Song Kang-ho—give standout performances in this sumptuous blockbuster that dramatizes one of the most notorious and tragic episodes in the nation's history. King Yeongjo, the longest-ruling monarch of the Joseon Dynasty, held the throne for more than 50 years, but as he himself predicted, is remembered primarily for one single event of his reign: the brutal execution of his son Prince Sado, who was locked in a rice chest for eight days before he died of suffocation and dehydration. According to historical accounts, Sado was a madman who committed sexual crimes and murdered his attendants, but the film takes a more sympathetic view, portraying him as a free spirit with an artistic soul who eventually crumbled under the relentless pressure of his father's fanatical expectations and strict adherence to Confucian doctrine. Director Lee Joon-ik (The King and the Clown, Dongju; The Portrait of a Poet) is already a master of the historical drama, but The Throne may be his crowning achievement.

Director: Lee Joon-ik
Cast: So Ji-sub, Moon Geun-young, Yoo Ah-in, Song Kang-ho
Languages: Korean with English subtitles
2015; 125 min.; DCP

SCHEDULE:

Thursday June 30, 8:30pm
Film Society of Lincoln Center

Introduction by Lee Joon-ik

Lee Joon-ik
이준익

Lee Joon-ik serves up Korean history with black comedy, razor-sharp satire, and plenty of mud and blood. His first commercial hit was the 2003 satire Once Upon a Time in the Battlefield which he followed two years later with one of the ten most successful South Korean films of all time, The King and the Clown, about a Joseon Dynasty king who falls for a young, feminine actor in his court. After contemporary comedies Radio Star and The Happy Life, and the bittersweet Vietnam film Sunny, he returned to historical ground with sword actioner (and NYAFF 2010 closer) Blades of Blood. Battlefield Heroes was his wildest swing yet, a sequel to Once Upon a Time in the Battlefield that plays like an absurdist All Quiet on the Western Front. He vowed to retire if it flopped, which it did... before returning with Hope in 2013 about a horrifying case of child rape. This year we screen his most recent films, which show the impressive range of his cinematic output: lush period drama The Throne, and stirring biopic Dongju; Portrait of a Poet.